A dose of fetish. Good friends. An incomparable muse.
We’ve reached the end of another month … spring is winding down, summer finally is making itself felt here in the Northern Hemisphere and of course it’s just the opposite down South.
Today I thought we’d choose between a writing a shadorma (a six-lined poem with a (3/5/3/3/7/5) rhyming scheme) or try our hand at “free verse“!
From the Wikipedia here’s a definition of free verse.
“Free verse is an open form of poetry. It does not use consistent meter patterns, rhyme, or any other musical pattern. It thus tends to follow the rhythm of natural speech.”
So, to round it up, free verse
Here’s and example by Walt Whitman of free verse:
A noiseless patient spider,
I mark’d where on a little promontory it stood isolated,
Mark’d how to explore the vacant vast surrounding,
It launch’d forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.
And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,…….
Till the bridge you will need be form’d, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.
But before we begin to write our free verse, consider these lines, always found in the Wikipedia:
Poets have explained that free verse is, despite its freedom, not entirely free. Free verse displays some elements of form. Most free verse, for example, self-evidently continues to observe a convention of the poetic line in some sense, at least in written representations, though retaining a potential degree of linkage.
Donald Hall goes as far as to say that “the form of free verse is as binding and as liberating as the form of a rondeau”, and T. S. Eliot wrote, “No verse is free for the man who wants to do a good job”. Kenneth Allott the poet/critic said the adoption by some poets of vers libre arose from ‘mere desire for novelty, the imitation of Whitman, the study of Jacobean dramatic blank verse, and the awareness of what French poets had already done to the Alexandrine in France’. The American critic John Livingston Lowes in 1916 observed ‘Free verse may be written as very beautiful prose; prose may be written as very beautiful free verse. Which is which ?’
Some poets have considered free verse restrictive in its own way. In 1922 Robert Bridges voiced his reservations in the essay ‘Humdrum and Harum-Scarum.’ Robert Frost later remarked that writing free verse was like “playing tennis without a net.” William Carlos Williams said “being an art form, verse cannot be free in the sense of having no limitations or guiding principles”. Yvor Winters, the poet/critic said “the free verse that is really verse, the best that is, of W.C. Williams, H. D., Marianne Moore, Wallace Stevens, and Ezra Pound is the antithesis of free”
Here is an example of free verse by Ezra Pound so we can decide what he meant by his belief that free verse is the antithesis of free:
Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal
of a sort of emotional anemia.
And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.
In her is the end of breeding.
Her boredom is exquisite and excessive…..
will commit that indiscretion.
The theme to inspire us this week is a phrase – passing time – keeping in mind that metaphor is still a device often used here’s a photo for your use, or choose your own work or image or none at all!
Feel free to write a shadorma (a non-rhyming six-line poem in 3/5/3/3/7/5) and/or free verse. The choice is yours! When you have written your poem(s), please TAG them B&P’s Shadorma & Beyond and MindLoveMisery’s Menagerie. Then add your link to the Mister Linky widget below.
And have fun!